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Large Sterling Silver Rounded Triangle San Art Pendent

African Large  Rounded Triangle San Art Pendent
African Large Rounded Triangle San Art Pendent
Item# MIXO16
$38.00

Product Description

African Large  Rounded Triangle San Art Pendent

Pendant Size:
Width: 1 inch across
Length: 1 1/2 inch
Weight: 3.2 grams



Hand Crafted in South Africa

This unique large rounded triangle pendant were hand made in Johannesburg by a jeweler who grew up in Soweto, after studying the art of jewelry making he then decided to combine the modern mediums with ancient African mediums; the result is a unique and beautiful piece of jewelry.

This oval pendant is hand made out of sterling silver with Bushman San or Cave art engraved into the front of the pendant.

About the Bushmen.

When 4000 years ago nomads came into contact with the much longer established hunter-gatherers of Southern Africa, they called them San meaning food gatherers. In the 17th century the Dutch colonized the Cape of Good Hope and called the hunter-gatherers of the plains “Boschjemannen” which translates to Bushmen. Bushmen are the longest surviving tribe of Southern Africa they are descendents of the Stone Age people.

About Rock Art.

The Europeans who first saw the Rock Art were fascinated but dismissive of their importance. Now days the true value and meaning of their art is being deciphered and appreciated., their art not only shows actual events that happened but are messages full of intricate and complex nuances in the symbols, metaphors and religious meaning.

About Giraffe
The giraffe (Giraffa camelopardalis) is an African even-toed ungulate mammal, the tallest of all land-living animal species, and the largest ruminant. The giraffe's scientific name, which is similar to its antiquated English name of camelopard, refers to its irregular patches of color on a light background, which bear a token resemblance to a leopard's spots. The average mass for an adult male giraffe is 1,200 kilograms (2,600 lb) while the average mass for an adult female is 830 kilograms (1,800 lb).[3][4] It is approximately 4.3 metres (14 ft) to 5.2 metres (17 ft) tall, although the tallest male recorded stood almost 6 metres (20 ft).

The giraffe is related to other even-toed ungulates, such as deer and cattle, but is placed in a separate family, the Giraffidae, consisting of only the giraffe and its closest relative, the okapi. Its range extends from Chad in Central Africa to South Africa. Giraffes usually inhabit savannas, grasslands, or open woodlands. However, when food is scarce they will venture into areas with denser vegetation. They prefer areas with plenty of acacia growth. They will drink large quantities of water when available, which enables them to live for extended periods in dry, arid areas.

The giraffe is one of only two living species of the family Giraffidae, along with the okapi. The family was once much more extensive, with numerous other species. The giraffids evolved from a 3 metres (9.8 ft) tall antelope-like mammal that roamed Europe and Asia some 30–50 million years ago.

The earliest known giraffid was Climacoceras, which still resembled deer, having large antler-like ossicones. It first appeared in the early Miocene epoch. Later examples include the genera Palaeotragus and Samotherium, which appeared in the early to mid-Miocene. They were both tall at the shoulder, and had developed the simple, unbranched ossicones of modern giraffids, but still had relatively short necks.

From the late Pliocene onwards, the variety of giraffids drastically declined, until only the two surviving species remained. The modern genus Giraffa evolved during the Pliocene epoch, and included a number of other long-necked species, such as Giraffa jumae, that do not survive today. Alan Turner proposes, in the 2004 book Evolving Eden, that giraffe ancestors initially had a dark coat with pale spots, and that the spots gradually became star-shaped, before eventually forming the reticulated pattern found today. The modern species, Giraffa camelopardalis, appeared during the Pleistocene 1 million years ago.

The evolution of the long necks of giraffes has been the subject of much debate. The standard story is that they were evolved to allow the giraffes to browse vegetation that was out of the reach of other herbivores in the vicinity, giving them a competitive advantage. However, an alternative theory proposes that the long necks evolved as a secondary sexual characteristic, giving males an advantage in "necking" contests (see below) to establish dominance and obtain access to sexually receptive females. This theory notes that giraffes frequently feed from relatively low-lying shrubs, and that the necks of males are significantly longer than those of females. However, this theory is not universally accepted, and some of the data supporting it has recently been challenged, lending support to the original proposal that neck length is related to browsing habits.

Different authorities recognize different numbers of subspecies, differentiated by colour and pattern variations and range.Some of these subspecies may prove to in fact be separate species.

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Accessories

Hand Beaded Sea Foam & Gold Necklace

Size:
Choker Width: ½ inch
Choker Length: 14 inches





Hand Crafted in South Africa

This unique hand beaded Zulu zig zag choker has been hand strung in a zig zag pattern, the colors of the pattern are alternating in gold and seafoam . What makes this choker unique is the zig zag pattern that has been strung by hand

This necklace has been made by several small scale self-help projects that have evolved in recent years to uplift Zulu women, who whilst working from their homes, are able to supplement their incomes and at the same time maintain the traditional craft of beadwork.

About Zulu Beadwork

Beads and beadwork have been an important part of the culture of southeast Africa for hundreds of years, perhaps for millennia. They have been used by archaeologists to date the ancient ruins of Mapungubwe and Zimbabwe, by historians to provide evidence of trading activities and contacts with other civilizations and cultures, and by anthropologists who have recognized Zulu beadwork as an important social regulator and index of status within the society. Curiously enough, however, Zulu beadwork, acknowledged to be among the finest in Africa, has received very little attention as an artistic expression.

African beadwork is a strong part of the Zulu tradition and the tradition of many other African tribes. Trade in beads began hundreds of years ago, probably even before the days of Henry Francis Fynn - the first European settler to settle in Natal in 1824. These beads came to be highly valued by the Zulu tribes who then started to add them to many different items and even weaved into them messages which were then sent to friends and lovers.

Beads were probably first traded in Africa during the time of the Egyptians, Sumerians and Chaldeans about three thousand years ago. Since the Zulu people could not make these themselves they came to value them highly and used them to craft many different items and also as a means of communication.

The patterns and colors used to create Zulu beadwork contained specific messages and symbols. They were used to show whether a girl was single, engaged to be married or a new mother.

Glass beads are a by-product of the discovery of glass, which occurred in Egypt during the rule of the pharaohs some 30 centuries ago. Egyptian glass beads were transported by the Phoenicians from the Nile Delta to every port along the North African coast and the ancient Negro kingdoms of West and Central Africa. The Arabs succeeded the Phoenicians as traders and continued to supply beads to Africans along the East Coast. To this day, red cornelian beads of Indian origin are washed out on South Africa's shores from ancient Arab vessels that fell victim to storms and sank.

Glass beads were valued in Africa, not because Africans were duped into believing them to be precious stones, but because they were the products of an exotic technology, of which the equivalent was unknown in sub-Saharan Africa at that time. Beads, therefore, became precious in their own right and were crafted into a variety of objects to be worn according to custom, and as a token of social status, political importance and for personal adornment. What makes Zulu beadwork unique is the code by which particular colors are selected and combined in various decorative geometrical designs in order to convey messages. The geometric shapes themselves have particular significance and the craft itself forms a language devoted entirely to the expression of ideas, feelings and facts related to behavior and relations between the sexes. The Zulu beadwork language is deceptively simple: it uses one basic geometric shape, the triangle, and seven basic colors. The triangle's 3 corners represent father, mother and child. A triangle pointing down represents and unmarried woman; pointing up it represents an unmarried man. Two triangles joined at their bases represented a married woman, while two triangles joined at their points, in an hourglass shape, represent a married man.

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Hand Beaded Sea Foam & Gold Necklace JWL63