Hand Made Gifts, Unique Hand Crafted Home Goods, FAIR TRADE

Zulu Beaded Daisy Set Necklace & Braclet

Hand Beaded Daisy Set/Adjustable Necklace/Bracelet
Hand Beaded Daisy Set/Adjustable Necklace/Bracelet
Item# JWL59
$6.00

Product Description

Hand Beaded Daisy Set/Adjustable Necklace/Bracelet

Size:
Choker Width: Ό inch
Choker Length: 16 inches
Bracelet Width: 8 inches
Bracelet Width: Ό inch



Hand Crafted in South Africa

This unique hand beaded Zulu daisy choker and bracelet set has been hand strung, this necklace and bracelet are literally daisy chains, each daisy has been hand beaded and strung together, the colors of the flowers are alternating in red, blue, green, yellow and white . What makes this set unique is that it can be worn as a choker and bracelet set, or the bracelet can be added to the choker to make a longer necklace

This necklace has been made by several small scale self-help projects that have evolved in recent years to uplift Zulu women, who whilst working from their homes, are able to supplement their incomes and at the same time maintain the traditional craft of beadwork.

About Zulu Beadwork

Beads and beadwork have been an important part of the culture of southeast Africa for hundreds of years, perhaps for millennia. They have been used by archaeologists to date the ancient ruins of Mapungubwe and Zimbabwe, by historians to provide evidence of trading activities and contacts with other civilizations and cultures, and by anthropologists who have recognized Zulu beadwork as an important social regulator and index of status within the society. Curiously enough, however, Zulu beadwork, acknowledged to be among the finest in Africa, has received very little attention as an artistic expression.

African beadwork is a strong part of the Zulu tradition and the tradition of many other African tribes. Trade in beads began hundreds of years ago, probably even before the days of Henry Francis Fynn - the first European settler to settle in Natal in 1824. These beads came to be highly valued by the Zulu tribes who then started to add them to many different items and even weaved into them messages which were then sent to friends and lovers.

Beads were probably first traded in Africa during the time of the Egyptians, Sumerians and Chaldeans about three thousand years ago. Since the Zulu people could not make these themselves they came to value them highly and used them to craft many different items and also as a means of communication.

The patterns and colors used to create Zulu beadwork contained specific messages and symbols. They were used to show whether a girl was single, engaged to be married or a new mother.

Glass beads are a by-product of the discovery of glass, which occurred in Egypt during the rule of the pharaohs some 30 centuries ago. Egyptian glass beads were transported by the Phoenicians from the Nile Delta to every port along the North African coast and the ancient Negro kingdoms of West and Central Africa. The Arabs succeeded the Phoenicians as traders and continued to supply beads to Africans along the East Coast. To this day, red cornelian beads of Indian origin are washed out on South Africa's shores from ancient Arab vessels that fell victim to storms and sank.

Glass beads were valued in Africa, not because Africans were duped into believing them to be precious stones, but because they were the products of an exotic technology, of which the equivalent was unknown in sub-Saharan Africa at that time. Beads, therefore, became precious in their own right and were crafted into a variety of objects to be worn according to custom, and as a token of social status, political importance and for personal adornment. What makes Zulu beadwork unique is the code by which particular colors are selected and combined in various decorative geometrical designs in order to convey messages. The geometric shapes themselves have particular significance and the craft itself forms a language devoted entirely to the expression of ideas, feelings and facts related to behavior and relations between the sexes. The Zulu beadwork language is deceptively simple: it uses one basic geometric shape, the triangle, and seven basic colors. The triangle's 3 corners represent father, mother and child. A triangle pointing down represents and unmarried woman; pointing up it represents an unmarried man. Two triangles joined at their bases represented a married woman, while two triangles joined at their points, in an hourglass shape, represent a married man.

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Accessories

African - Hand Made 14ct and Elephant Hair San Pendant

Size:
Width: 1/2 inches
Length: 1 3/4 inches
Weight: 4.4 grams



Hand Crafted in South Africa

This unique pendant was hand made in Johannesburg by a jeweler who grew up in Soweto, after studying the art of jewelry making he then decided to combine the modern mediums with ancient African mediums; the result is a unique and beautiful piece of jewelry.

This pendant is made up of a14ct gold pendant with San art cut outs that are backed with elephant hair. The black in the pendant is inlayed elephant hair. The whole piece is hand crafted using elephant hair and 14ct gold.

Elephant hair is traditionally used to make jewelry in Africa it is considered good luck and health.

The hair is cut from the tail when the elephants are darted for medical reasons. No elephants are killed for the hair.

About the Bushmen.

When 4000 years ago nomads came into contact with the much longer established hunter-gatherers of Southern Africa, they called them San meaning food gatherers. In the 17th century the Dutch colonized the Cape of Good Hope and called the hunter-gatherers of the plains “Boschjemannen” which translates to Bushmen. Bushmen are the longest surviving tribe of Southern Africa they are descendents of the Stone Age people.

About Rock Art.

The Europeans who first saw the Rock Art were fascinated but dismissive of their importance. Now days the true value and meaning of their art is being deciphered and appreciated., their art not only shows actual events that happened but are messages full of intricate and complex nuances in the symbols, metaphors and religious meaning

About Giraffe
The giraffe (Giraffa camelopardalis) is an African even-toed ungulate mammal, the tallest of all land-living animal species, and the largest ruminant. The giraffe's scientific name, which is similar to its antiquated English name of camelopard, refers to its irregular patches of color on a light background, which bear a token resemblance to a leopard's spots. The average mass for an adult male giraffe is 1,200 kilograms (2,600 lb) while the average mass for an adult female is 830 kilograms (1,800 lb).[3][4] It is approximately 4.3 metres (14 ft) to 5.2 metres (17 ft) tall, although the tallest male recorded stood almost 6 metres (20 ft).

The giraffe is related to other even-toed ungulates, such as deer and cattle, but is placed in a separate family, the Giraffidae, consisting of only the giraffe and its closest relative, the okapi. Its range extends from Chad in Central Africa to South Africa. Giraffes usually inhabit savannas, grasslands, or open woodlands. However, when food is scarce they will venture into areas with denser vegetation. They prefer areas with plenty of acacia growth. They will drink large quantities of water when available, which enables them to live for extended periods in dry, arid areas.

The giraffe is one of only two living species of the family Giraffidae, along with the okapi. The family was once much more extensive, with numerous other species. The giraffids evolved from a 3 metres (9.8 ft) tall antelope-like mammal that roamed Europe and Asia some 30–50 million years ago.

The earliest known giraffid was Climacoceras, which still resembled deer, having large antler-like ossicones. It first appeared in the early Miocene epoch. Later examples include the genera Palaeotragus and Samotherium, which appeared in the early to mid-Miocene. They were both tall at the shoulder, and had developed the simple, unbranched ossicones of modern giraffids, but still had relatively short necks.

From the late Pliocene onwards, the variety of giraffids drastically declined, until only the two surviving species remained. The modern genus Giraffa evolved during the Pliocene epoch, and included a number of other long-necked species, such as Giraffa jumae, that do not survive today. Alan Turner proposes, in the 2004 book Evolving Eden, that giraffe ancestors initially had a dark coat with pale spots, and that the spots gradually became star-shaped, before eventually forming the reticulated pattern found today. The modern species, Giraffa camelopardalis, appeared during the Pleistocene 1 million years ago.

The evolution of the long necks of giraffes has been the subject of much debate. The standard story is that they were evolved to allow the giraffes to browse vegetation that was out of the reach of other herbivores in the vicinity, giving them a competitive advantage. However, an alternative theory proposes that the long necks evolved as a secondary sexual characteristic, giving males an advantage in "necking" contests (see below) to establish dominance and obtain access to sexually receptive females. This theory notes that giraffes frequently feed from relatively low-lying shrubs, and that the necks of males are significantly longer than those of females. However, this theory is not universally accepted, and some of the data supporting it has recently been challenged, lending support to the original proposal that neck length is related to browsing habits.

Different authorities recognize different numbers of subspecies, differentiated by colour and pattern variations and range. Some of these subspecies may prove to in fact be separate species. The subspecies recognized by various authorities include:

• Reticulated Giraffe or Somali Giraffe (G. c. reticulata) – large, polygonal liver-coloured spots outlined by a network of bright white lines. The blocks may sometimes appear deep red and may also cover the legs. Range: northeastern Kenya, Ethiopia, Somalia.

• Angolan Giraffe or Smoky Giraffe (G. c. angolensis) – large spots and some notches around the edges, extending down the entire lower leg. Range: Angola, Zambia.

• Kordofan Giraffe (G. c. antiquorum) – smaller, more irregular spots that cover the inner legs. Range: western and southwestern Sudan, Cameroon

• Maasai Giraffe or Kilimanjaro Giraffe (G. c. tippelskirchi) – jagged-edged, vine-leaf shaped spots of dark chocolate on a yellowish background. Range: central and southern Kenya, Tanzania.

• Nubian Giraffe (G. c. camelopardalis) – large, four-sided spots of chestnut brown on an off-white background and no spots on inner sides of the legs or below the hocks. Range: eastern Sudan, northeast Congo.

• Rothschild Giraffe or Baringo Giraffe or Ugandan Giraffe (G. c. rothschildi) – deep brown, blotched or rectangular spots with poorly defined cream lines. Hocks may be spotted. Range: Uganda, north-central Kenya.

• South African Giraffe (G. c. giraffa) – rounded or blotched spots, some with star-like extensions on a light tan background, running down to the hooves. Range: South Africa, Namibia, Botswana, Zimbabwe, Mozambique.

• Thornicroft Giraffe or Rhodesian Giraffe (G. c. thornicrofti) – star-shaped or leafy spots extend to the lower leg. Range: eastern Zambia.

• West African Giraffe or Nigerian Giraffe (G. c. peralta) – numerous pale, yellowish red spots. Range: Niger.

Unique African Jewelry

$105.00
African - Hand Made 14ct and Elephant Hair San Pendant MIXO063