Hand Crafted in South Africa
Height: 13 ˝ inches
Width: 2 ˝ inches
Length: 13 ˝ inches
This candle is of an Ndebele maiden, in Southern Africa status in the tribe is depicted in dress and hair, unmarried women are normally bare headed and chested.
The whole disk is the candle, when lit it burns down the center leaving two wings, thus the candle is known as an angle wing candle. The candle has a bronze finish and comes boxed with the stand underneath.
About the Ndebele
Although the origins of the South African Ndebele are shrouded in mystery, they have been identified as one of the Nguni tribes. The Nguni tribes represent nearly two thirds of South Africa’s Black population and can be divided into four distinct groups; the Central Nguni (the Zulu-speaking peoples), the Southern Nguni (the Xhosa-speaking peoples), the Swazi people from Swaziland and adjacent areas and the Ndebele people of the Northern Province and Mpumalanga.
The two Ndebele groups were not only separated geographically but also by differences in their languages and cultures. The Ndebele of the Northern Province consisted mainly of the BagaLanga and the BagaSeleka tribes who, by and large, adopted the language and culture of their Sotho neighbors.
The North Ndebele people resided an area stretching from the town of Warmbaths in the south, to the Limpopo River in the north and from the Botswana border in the west to the Mozambique border in the east. However, they were mainly concentrated in the districts of Pietersburg, Bakenberg and Potgietersrus.
Mpumalanga, much of which consists of the area known as the Lowveld, stretches from the town of Piet Retief in the south to Lydenburg / Pilgrim’s Rest in the north and from the towns of Witbank and Groblersdal in the west to the Mozambique border in the east. The Springbok Flats separated the North Ndebele and those in the east from one another.
Ndebele women traditionally adorned themselves with a variety of ornaments, each symbolising her status in society. After marriage, dresses became increasingly elaborate and spectacular. In earlier times, the Ndebele wife would wear copper and brass rings around her arms, legs and neck, symbolizing her bond and faithfulness to her husband, once her home was built.
She would only remove the rings after his death. The rings (called idzila) were believed to have strong ritual powers. Husbands used to provide their wives with rings; the richer the husband, the more rings the wife would wear. Today, it is no longer common practice to wear these rings permanently.
In addition to the rings, married women also wore neck hoops made of grass (called isigolwani) twisted into a coil and covered in beads, particularly for ceremonial occasions. Isigolwani are sometimes worn as neckpieces and as leg and arm bands by newly wed women whose husbands have not yet provided them with a home, or by girls of marriageable age after the completion of their initiation ceremony.
Married women also wore a five-fingered apron (called an ijogolo) to mark the culmination of the marriage, which only takes place after the birth of the first child. The marriage blanket (nguba) worn by married women was decorated with beadwork to record significant events throughout the woman’s lifetime.
For example, long beaded strips signified that the woman’s son was undergoing the initiation ceremony and indicated that the woman had now attained a higher status in Ndebele society. It symbolized joy because her son had achieved manhood as well as the sorrow at losing him to the adult world.
A married woman always wore some form of head covering as a sign of respect for her husband. These ranged from a simple beaded headband or a knitted cap to elaborate beaded headdresses (amacubi).